{"id":452,"date":"2020-06-26T21:15:00","date_gmt":"2020-06-26T19:15:00","guid":{"rendered":"https:\/\/new.rtds.jamu.cz\/?p=452"},"modified":"2022-03-13T22:59:32","modified_gmt":"2022-03-13T21:59:32","slug":"katerina-hejnarova-valka-a-ja-skryta-zprava-o-stavu-evropske-valecne-zkusenosti","status":"publish","type":"post","link":"https:\/\/rtds.jamu.cz\/?p=452","title":{"rendered":"Kate\u0159ina Hejnarov\u00e1: V\u00e1lka a j\u00e1 | Skryt\u00e1 zpr\u00e1va o stavu evropsk\u00e9 v\u00e1le\u010dn\u00e9 zku\u0161enosti"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>N\u011bmeck\u00fd seri\u00e1l <em>V\u00e1lka a j\u00e1<\/em>, nato\u010den\u00fd b\u011bhem lo\u0148sk\u00e9ho roku v koprodukci s Polskem, Franci\u00ed, Norskem, Velkou Brit\u00e1ni\u00ed, Ruskem a \u010ceskou republikou, vys\u00edlal d\u011btsk\u00fd kan\u00e1l \u010cT D\u00e9\u010dko jako p\u0159ipom\u00ednku 75. v\u00fdro\u010d\u00ed konce Druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. P\u0159\u00edb\u011bhy osmi d\u011bt\u00ed sestavil nizozemsk\u00fd sc\u00e9n\u00e1rista Maarten van den Duin na z\u00e1klad\u011b autentick\u00fdch den\u00edk\u016f vydan\u00fdch kni\u017en\u011b. Za re\u017eii a produkci zodpov\u00eddali N\u011bmci Matthias Zirzow a Ramona Bergmann, animovanou rovinu vypr\u00e1v\u011bn\u00ed, scen\u00e9ri\u00ed s miniaturami budov a figurkami zastupuj\u00edc\u00edmi drastick\u00e9 v\u00e1le\u010dn\u00e9 obrazy, vytvo\u0159ilo polsk\u00e9 Toto studio.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u0159i letm\u00e9m pohledu by se mohlo zd\u00e1t, \u017ee seri\u00e1l <em>V\u00e1lka a j\u00e1<\/em> nem\u016f\u017ee dosp\u011bl\u00e9mu publiku nab\u00eddnout mnoho. Fakta pochopiteln\u011b p\u0159ich\u00e1zej\u00ed ve zjednodu\u0161en\u00e9 podob\u011b srozumiteln\u00e9 div\u00e1k\u016fm od osmi let. Av\u0161ak pr\u00e1v\u011b d\u00edky sv\u00e9mu postaven\u00ed mimo komplikovanou perspektivu dosp\u011bl\u00fdch pod\u00e1v\u00e1 po\u0159ad vz\u00e1cn\u00e9 sv\u011bdectv\u00ed o tom, jak\u00e1 zku\u0161enost je pro n\u00e1s natolik hodnotn\u00e1, abychom ji p\u0159i v\u00fdchov\u011b tlumo\u010dili d\u011btem, jak p\u0159esn\u011b o n\u00ed dok\u00e1\u017eeme mluvit, a kam a\u017e sah\u00e1 na\u0161e vyrovn\u00e1n\u00ed se s minulost\u00ed, do jak\u00e9 hloubky odol\u00e1 bezelstn\u011b nehor\u00e1zn\u00fdm d\u011btsk\u00fdm dotaz\u016fm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hitlerjugend d\u011btsk\u00fdma o\u010dima<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Patrn\u011b nejv\u011bt\u0161\u00ed schopnost sebereflexe vykazuj\u00ed dva n\u011bmeck\u00e9 p\u0159\u00edb\u011bhy (ostatn\u00ed st\u00e1ty dost\u00e1vaj\u00ed prostor po jednom). Zvl\u00e1\u0161t\u011b vypr\u00e1v\u011bn\u00ed o desetilet\u00e9m Antonovi, kter\u00fd se roku 1938 navzdory odporu otce \u2013 veter\u00e1na Prvn\u00ed sv\u011btov\u00e9 v\u00e1lky tou\u017e\u00ed p\u0159ipojit k Hitlerjugend. Tat\u00ednkova d\u0159ev\u011bn\u00e1 noha Antonovi spl\u00fdv\u00e1 s obvykl\u00fdm dom\u00e1c\u00edm k\u00e1r\u00e1n\u00edm, naopak organizace nacistick\u00e9 ml\u00e1de\u017ee slibuje dobrodru\u017estv\u00ed a nadto i silnou oporu p\u0159i neposlu\u0161nosti rodi\u010d\u016fm. V\u017edy\u0165 jedin\u00fd, koho by m\u011bli respektovat je <em>v\u016fdce<\/em>, jeho\u017e v\u0161ak nikdy nespat\u0159ili. Vysp\u011blost\u00ed opl\u00fdvaj\u00ed tak\u00e9 edukativn\u00ed sekvence tvo\u0159en\u00e9 archivn\u00edmi z\u00e1b\u011bry, vysv\u011btluj\u00edc\u00ed jak\u00fdm zp\u016fsobem a pro\u010d cht\u011bla NSDAP vychovat agresivn\u00ed a ovladatelnou ml\u00e1de\u017e. \u201eNacist\u016fm z\u00e1le\u017eelo na tom, aby m\u011bli lid\u00e9 strach. Kdo se boj\u00ed, ten se toti\u017e nebr\u00e1n\u00ed,\u201c objas\u0148uje koment\u00e1torka u\u010ditelsk\u00fdm t\u00f3nem. \u201eAdolf Hitler cht\u011bl n\u00e1silnickou ml\u00e1de\u017e, p\u0159ed kterou se v\u0161ichni budou t\u0159\u00e1st strachy.\u201c Na\u010de\u017e pak nad ve\u010de\u0159\u00ed vede Anton s otcem dialog, za jeho\u017e obsah by se nemusel styd\u011bt ani scen\u00e1rista filmu pro dosp\u011bl\u00e9 publikum: <em>\u201eMysl\u00ed\u0161, \u017ee je d\u00edky t\u00e9 uniform\u011b z tebe lep\u0161\u00ed \u010dlov\u011bk?\u201c \u201eAno.\u201c \u201eV t\u00e9 uniform\u011b je z tebe nacista. Voj\u00e1k, co jen poslouch\u00e1 rozkazy.\u201c \u201eJ\u00e1 budu hodn\u00fd nacista.\u201c \u201eAntone, \u017e\u00e1dn\u00ed hodn\u00ed nacist\u00e9 neexistuj\u00ed. Ale o tom s tebou nem\u016f\u017eu mluvit. Mus\u00edm myslet i na Konr\u00e1da a Lisu.\u201c \u201eJak to mysl\u00ed\u0161?\u201c \u201eM\u00e1m strach o na\u0161i rodinu. Kdy\u017e \u0159eknu n\u011bco proti n\u00e1ck\u016fm, tak m\u011b pr\u00e1skne\u0161 sv\u00fdm kamar\u00e1d\u00ed\u010dk\u016fm.\u201c T\u00e1ta m\u00e1 strach? Ze m\u011b? Copak si mysl\u00ed, \u017ee chci, aby \u0161el do v\u011bzen\u00ed?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jenom\u017ee kdy\u017e otec po K\u0159i\u0161\u0165\u00e1lov\u00e9 noci ukryje \u017eidovsk\u00e9 sousedy, Anton jej skute\u010dn\u011b vyzrad\u00ed. K n\u00e1ctilet\u00e9mu chlapci vedouc\u00edmu odd\u00edl, kter\u00fd dok\u00e1\u017ee sil\u00e1cky vyhro\u017eovat i dosp\u011bl\u00fdm, dosud vzhl\u00ed\u017e\u00ed. Teprve po tat\u00ednkov\u011b zat\u010den\u00ed, zat\u00edmco hry se postupn\u011b prom\u011b\u0148uj\u00ed ve vojensk\u00fd v\u00fdcvik, pozn\u00e1v\u00e1 Anton z\u00e1m\u011bry sv\u00fdch nov\u00fdch \u201ep\u0159\u00e1tel\u201c. A navzdory jednoduchosti d\u011btsk\u00e9ho vypr\u00e1v\u011bn\u00ed se mu tak da\u0159\u00ed tlumo\u010dit zku\u0161enost, k n\u00ed\u017e ve sv\u011bt\u011b dosp\u011bl\u00fdch vedla ot\u0159esn\u00e1 cesta. P\u0159itom bych vyjma motivu \u0161\u0165astn\u00e9ho \u00fat\u011bku \u017eidovsk\u00e9 rodiny do Francie snad nemluvila ani o naivit\u011b: katarz\u00ed Antonova p\u0159\u00edb\u011bhu toti\u017e nen\u00ed \u2013 a nem\u016f\u017ee b\u00fdt \u2013 v\u00fdstup z Hitlerjugend, ale n\u00e1vrat otce z v\u011bzen\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Stalina ponechat rad\u011bji stranou?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u0159\u00edslib osvobozen\u00ed od spole\u010densk\u00fdch i soukrom\u00fdch my\u0161lenkov\u00fdch \u0161ablon, jen\u017e d\u011btsk\u00e1 perspektiva autor\u016fm poskytuje, by bylo a\u017e pl\u00fdtv\u00e1n\u00edm nevysly\u0161et. T\u00e9to dispozice vyu\u017e\u00edv\u00e1 i rusk\u00fd p\u0159\u00edb\u011bh. Desetiletou V\u011bru se \u0159editelka d\u011btsk\u00e9ho domova sna\u017e\u00ed motivovat, aby p\u0159ed katedrou vyzdobenou portr\u00e9tem Stalina vypr\u00e1v\u011bla spolu\u017e\u00e1k\u016fm, \u201ejak neuv\u011b\u0159iteln\u011b hrdinn\u011b bojuj\u00ed obyvatel\u00e9 Stalingradu\u201c, d\u011bv\u010d\u00e1tko se ale rozpl\u00e1\u010de, \u017ee je tam \u201ev\u0161echno zni\u010den\u00e9, ve dne v noci se st\u0159\u00edl\u00ed\u201c a \u201e\u017e\u00e1dn\u00ed hrdinov\u00e9 tam nejsou.\u201c Z koment\u00e1\u0159e pod archivn\u00edmi z\u00e1b\u011bry se pak dozv\u00edd\u00e1me, o Stalinov\u011b rozkazu \u201eZp\u00e1tky ni krok.\u201c a nemo\u017enosti obyvatel opustit m\u011bsto, a\u010dkoli bylo jasn\u00e9, \u017ee na n\u011bj n\u011bmeck\u00e1 arm\u00e1da za\u00fato\u010d\u00ed. Ov\u0161em d\u00e1le se vypr\u00e1v\u011bn\u00ed v\u011bnuje sov\u011btsk\u00fdm voj\u00e1k\u016fm a Stalina l\u00ed\u010d\u00ed pouze coby \u201eHitlerova \u00fahlavn\u00edho nep\u0159\u00edtele\u201c. Nep\u0159esnost takov\u00e9 charakteristiky si mal\u00fd div\u00e1k bude muset nechat dovysv\u011btlit, stejn\u011b jako \u00faplnou povahu komunistick\u00e9 totality, v d\u016fmyslnosti vyhlazovac\u00edch metod n\u00e1padn\u011b podobn\u00e9 t\u00e9 nacistick\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Postavy dosp\u011bl\u00fdch ve srovn\u00e1n\u00ed s d\u011btsk\u00fdmi podl\u00e9haj\u00ed v\u00fdrazn\u011bj\u0161\u00edmu zjednodu\u0161en\u00ed. Co\u017e na\u0161t\u011bst\u00ed neubli\u017euje logice jejich jedn\u00e1n\u00ed, av\u0161ak mohlo by pon\u011bkud zkreslovat vzd\u011bl\u00e1vac\u00ed obsah po\u0159adu. Toti\u017e, p\u0159i z\u0159eteln\u00e9m rozd\u011blen\u00ed na kladn\u00e9 a z\u00e1porn\u00e9 zastupuj\u00ed druhou skupinu a\u017e na v\u00fdjimku norsk\u00e9ho a francouzsk\u00e9ho p\u0159\u00edb\u011bhu poka\u017ed\u00e9 v\u00fdhradn\u011b N\u011bmci, resp. nacist\u00e9. Pr\u00e1v\u011b zde bych ale vzhledem ke schopnosti d\u011btsk\u00e9ho publika absorbovat sd\u011blen\u00ed bez kritick\u00e9ho odstupu \u2013 ostatn\u011b, nau\u010dn\u00fd po\u0159ad p\u0159irozen\u011b promlouv\u00e1 tak trochu hlasem pan\u00ed u\u010ditelky \u2013 pou\u017e\u00edvala \u010dast\u011bji politick\u00fd ne\u017e n\u00e1rodnostn\u00ed term\u00edn. Rozhodn\u011b nejde o to, zaml\u010det, odkud nen\u00e1vistn\u00e1 ideologie poch\u00e1z\u00ed, ale neztoto\u017e\u0148ovat tak z\u0159eteln\u011b postavu nacisty s N\u011bmcem. Na pozad\u00ed obraz\u016f z okupovan\u00fdch zem\u00ed rozp\u00ednav\u00ed voj\u00e1ci stejn\u011b nep\u0159estanou vyk\u0159ikovat n\u011bmeck\u00e9 povely, b\u00fdvalo by v\u0161ak mo\u017en\u00e9 sly\u0161et tak\u00e9 jinou, kultivovan\u011bj\u0161\u00ed, liter\u00e1rn\u00ed n\u011bm\u010dinu, t\u0159eba n\u011bjakou \u0159\u00edkanku n\u011bmeck\u00fdch \u017eidovsk\u00fdch d\u011bt\u00ed uprchl\u00fdch do Francie ve t\u0159et\u00edm d\u00edle? Nebo snad p\u00edsni\u010dku v jidi\u0161? Anebo dokonce oboj\u00ed?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nejv\u00fdrazn\u011bj\u0161\u00ed postavu mezi dosp\u011bl\u00fdmi p\u0159edstavuje bezesporu str\u00fdc norsk\u00e9ho chlapce Fritjofa. Zavalit\u00fd, kulhaj\u00edc\u00ed pan Arne, star\u00fd n\u00e1mo\u0159n\u00edk s fajfkou, p\u0159ipom\u00edn\u00e1 sp\u00ed\u0161 poh\u00e1dkovou postavu a v kompozici s voj\u00e1ky v dobov\u00fdch uniform\u00e1ch \u010di vzd\u011bl\u00e1vac\u00edmi sekvencemi archivn\u00edch z\u00e1b\u011br\u016f, tentokr\u00e1t na t\u00e9ma obchodn\u00ed spolupr\u00e1ce Nor\u016f s N\u011bmci, p\u016fsob\u00ed pon\u011bkud nepat\u0159i\u010dn\u011b. Na druh\u00e9 stran\u011b v\u0161ak pr\u00e1v\u011b str\u00fdc Arne podstoup\u00ed nejv\u011brohodn\u011bj\u0161\u00ed prom\u011bnu charakteru (samoz\u0159ejm\u011b, uzp\u016fsobenou d\u011btsk\u00e9mu p\u0159\u00edb\u011bhu), kdy\u017e se po \u00favodn\u00ed spolupr\u00e1ci s okupanty za hranic\u00ed jeho vlastn\u00ed hrdosti rozhodne n\u011bmeck\u00e9 voj\u00e1ky p\u0159elst\u00edt a vyjednat propu\u0161t\u011bn\u00ed Fritjofa, kter\u00e9ho kv\u016fli ukryt\u00ed \u00falovku ryb cht\u011bj\u00ed poslat do pracovn\u00edho t\u00e1bora. Hodnotn\u00e1 je v\u0161ak pas\u00e1\u017e vzd\u011bl\u00e1vac\u00ed roviny, kde se p\u0159ipom\u00edn\u00e1 t\u00e9ma d\u011bt\u00ed narozen\u00fdch ze vztah\u016f norsk\u00fdch d\u00edvek a n\u011bmeck\u00fdch voj\u00e1k\u016f, dost mo\u017en\u00e1 tamn\u00edho (b\u00fdval\u00e9ho?) spole\u010densk\u00e9ho tabu. Domn\u00edv\u00e1m se, \u017ee v ot\u00e1zk\u00e1ch, jak vn\u00edmat takov\u00e1 man\u017eelstv\u00ed, m\u00e1 d\u011btsk\u00fd hlas d\u016fle\u017eit\u00fd v\u00fdznam. Dob\u0159e tedy, \u017ee po\u0159ad <em>V\u00e1lka a j\u00e1<\/em> norsk\u00fdm d\u011btem problematiku netaj\u00ed. Z\u00e1rove\u0148 ale, dle d\u016frazu, s n\u00edm\u017e str\u00fdc Arne klade Fritjofovi na srdce, aby se nikdy nenechal poko\u0159it, se zd\u00e1 b\u00fdt pr\u00e1v\u011b pocit poko\u0159en\u00ed t\u00edm, k jeho\u017e p\u0159ekon\u00e1n\u00ed mus\u00ed norsk\u00fd vyprav\u011b\u010d v\u00e1le\u010dn\u00e9ho p\u0159\u00edb\u011bhu vynalo\u017eit nejv\u011bt\u0161\u00ed \u00fasil\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u010ceskoslovensk\u00e1 perspektiva<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A co p\u0159\u00edb\u011bh okupovan\u00e9ho \u010ceskoslovenska? Zpracov\u00e1v\u00e1 tak\u00e9 n\u011bjak\u00fdm zp\u016fsobem stav poko\u0159en\u00ed? Ano, ov\u0161em mimo zdej\u0161\u00ed prostory. V \u00favodu vypr\u00e1v\u011bn\u00ed inspirovan\u00e9ho den\u00edkem mal\u00ed\u0159ky Helgy Ho\u0161kov\u00e9 \u2013 Weissov\u00e9 p\u0159ij\u00ed\u017ed\u00ed \u010desk\u00e1 \u017eidovka Eva do Osv\u011btimi. Podstupuje selekci, st\u0159\u00edh\u00e1n\u00ed dohola, opou\u0161t\u00edme ji t\u011bsn\u011b p\u0159edt\u00edm, ne\u017e bude za dozoru SSa\u010dky nucen\u00e1 se svl\u00e9ct, a pak znova potk\u00e1v\u00e1me ji\u017e oble\u010denou do mund\u00faru. Eva je klav\u00edristka a vzpom\u00ednky na terez\u00ednsk\u00fd hudebn\u00ed soubor j\u00ed pom\u00e1haj\u00ed zachovat si v\u016fli k \u017eivotu. Zp\u00edv\u00e1 si Polajko, polajko, v t\u00e1bo\u0159e objev\u00ed d\u00e1vnou kamar\u00e1dku a p\u0159ipomene j\u00ed, \u017ee spolu kdysi vystupovaly. Dostanou se a\u017e p\u0159ed spole\u010dnost nacistick\u00fdch pohlav\u00e1r\u016f, kte\u0159\u00ed coby odm\u011bnu kulturn\u00edho vystoupen\u00ed d\u00edvk\u00e1m provokativn\u011b nab\u00edzej\u00ed su\u0161enky. \u201eTohle u\u017e nesm\u00ed nikdo za\u017e\u00edt. Budu hr\u00e1t na\u0161i hudbu, proto\u017ee se na ni nesm\u00ed nikdy zapomenout,\u201c p\u0159em\u00edt\u00e1 Eva p\u0159i odjezdu z koncentra\u010dn\u00edho t\u00e1bora, kde zbyl\u00ed \u010dlenov\u00e9 sboru z\u016fstanou u\u017e nav\u017edy. V osv\u011btimsk\u00e9m kontextu je mi zvl\u00e1\u0161t\u011b nep\u0159\u00edjemn\u00e9 takto ps\u00e1t, p\u0159ece se ale nedok\u00e1\u017eu zcela zbavit dojmu, \u017ee z\u00e1v\u011bre\u010dn\u00fd d\u00edl \u010deskou v\u00e1le\u010dnou zku\u0161enost dosud pln\u011b nevyu\u017e\u00edv\u00e1. Vypr\u00e1v\u011bn\u00ed o koncentra\u010dn\u00edch t\u00e1borech m\u011blo pro n\u011bmeckou dramaturgii jist\u011b velk\u00fd v\u00fdznam, z\u00e1rove\u0148 se v\u0161ak ono t\u00e9ma objev\u00ed ji\u017e v polsk\u00e9m p\u0159\u00edb\u011bhu. Bohu\u017eel se mi nepoda\u0159ilo zjistit, nakolik mohla \u010desk\u00e1 strana p\u0159i vzniku z\u00e1v\u011bre\u010dn\u00e9ho d\u00edlu ovliv\u0148ovat tak\u00e9 podobu z\u00e1pletky. Naskytla se p\u0159\u00edle\u017eitost p\u0159ipomenout, kter\u00e9 v\u00e1le\u010dn\u00e9 ud\u00e1losti intenzivn\u011b se dopt\u00e1vaj\u00edc\u00ed po \u010desk\u00e9 identit\u011b lze naj\u00edt i ve zdej\u0161\u00edm prost\u0159ed\u00ed? Evin d\u00edl celou s\u00e9rii \u2013 v\u00e1lku uzav\u00edr\u00e1, p\u0159irozen\u011b se tedy nab\u00edz\u00ed vztahy \u010desk\u00fdch a n\u011bmeck\u00fdch d\u011bt\u00ed ze Sudet. Anebo z p\u0159edchoz\u00edch let Heydrichi\u00e1da, Mnichovsk\u00e1 dohoda &#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nat\u00e1\u010det o v\u00e1lce je zr\u00e1dn\u00e9. \u010casov\u00fd odstup poskytuje v\u00edce bezpe\u010d\u00ed k \u00favah\u00e1m, sou\u010dasn\u011b se v\u0161ak autor mus\u00ed zab\u00fdvat slo\u017eit\u00fdmi obrazy hrdinstv\u00ed \u010di traumat: A jak je zkomponovat v\u011brohodn\u011b? \u010cernob\u00edl\u00e9 soudy nesta\u010d\u00ed, ostr\u00fdm \u00fatok\u016fm do vlastn\u00edch \u0159ad st\u00e1le cosi chyb\u00ed, distancovan\u00fd z\u00e1v\u011br \u201eka\u017ed\u00fd se n\u011bjak namo\u010dil\u201c ub\u00edr\u00e1 p\u0159\u00edb\u011bhu na dramati\u010dnosti. Mo\u017en\u00e9 v\u00fdchodisko by mohla p\u0159edstavovat perspektiva d\u00edt\u011bte. Pr\u00e1v\u011b z d\u011btsk\u00e9ho po\u0159adu typu <em>V\u00e1lka a j\u00e1<\/em> lze jej\u00ed kontury vy\u010d\u00edst: d\u011bj nemohou vyplnit pouze fakta, pro\u017eitek publika nen\u00ed p\u0159\u00edpustn\u00e9 vyvolat nejkrat\u0161\u00ed cestou explicitn\u00ed brutality. Naopak, d\u011btsk\u00e9 vypr\u00e1v\u011bn\u00ed nut\u00ed autora p\u00e1trat po p\u0159\u00ed\u010din\u00e1ch, \u010dasto dokonce i pamatovat, kde by se v p\u0159\u00edb\u011bhu mohlo nach\u00e1zet dobro. Za to pak odm\u011bnou z\u00edsk\u00e1v\u00e1 autor svobodu k&nbsp;nehor\u00e1znosti i absurdit\u011b v\u00e1le\u010dn\u00fdch obraz\u016f.<br>Navzdory n\u011bkter\u00fdm nedopracovan\u00fdm motiv\u016fm, obvykle historicky citliv\u00fdm, mus\u00edm seri\u00e1lu <em>V\u00e1lka a j\u00e1<\/em> p\u0159iznat odvahu k sebereflexi. A m\u00e1lokde lze vid\u011bt tolik p\u0159esv\u011bd\u010div\u00fdch hereck\u00fdch v\u00fdkon\u016f d\u011bt\u00ed, ochotnicky se projev\u00ed sotva n\u011bkolik p\u0159edstavitel\u016f vedlej\u0161\u00edch rol\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Publikov\u00e1no v \u010dasopise Ateli\u00e9r 205 6\/2020.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u0159i letm\u00e9m pohledu by se mohlo zd\u00e1t, \u017ee seri\u00e1l V\u00e1lka a j\u00e1 nem\u016f\u017ee dosp\u011bl\u00e9mu publiku nab\u00eddnout mnoho. Fakta pochopiteln\u011b p\u0159ich\u00e1zej\u00ed ve zjednodu\u0161en\u00e9 podob\u011b srozumiteln\u00e9 div\u00e1k\u016fm od osmi let. Av\u0161ak pr\u00e1v\u011b d\u00edky sv\u00e9mu postaven\u00ed mimo komplikovanou perspektivu dosp\u011bl\u00fdch pod\u00e1v\u00e1 po\u0159ad vz\u00e1cn\u00e9 sv\u011bdectv\u00ed o tom, jak\u00e1 zku\u0161enost je pro n\u00e1s natolik hodnotn\u00e1, abychom ji p\u0159i v\u00fdchov\u011b tlumo\u010dili d\u011btem, jak p\u0159esn\u011b o n\u00ed dok\u00e1\u017eeme mluvit, a kam a\u017e sah\u00e1 na\u0161e vyrovn\u00e1n\u00ed se s minulost\u00ed, do jak\u00e9 hloubky odol\u00e1 bezelstn\u011b nehor\u00e1zn\u00fdm d\u011btsk\u00fdm dotaz\u016fm.<\/p>\n","protected":false},"author":3,"featured_media":453,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-texty"],"acf":[],"_links":{"self":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts\/452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=452"}],"version-history":[{"count":5,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts\/452\/revisions"}],"predecessor-version":[{"id":509,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts\/452\/revisions\/509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/media\/453"}],"wp:attachment":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}