{"id":6400,"date":"2022-10-23T00:48:26","date_gmt":"2022-10-22T22:48:26","guid":{"rendered":"https:\/\/rtds.jamu.cz\/?p=6400"},"modified":"2022-11-10T04:31:07","modified_gmt":"2022-11-10T03:31:07","slug":"prihlasky-k-bakalarskemu-studiu-v-atelieru-rtds-do-30-listopadu-2022","status":"publish","type":"post","link":"https:\/\/rtds.jamu.cz\/?p=6400","title":{"rendered":"P\u0159ihl\u00e1\u0161ky k bakal\u00e1\u0159sk\u00e9mu studiu v ateli\u00e9ru RTDS do 30. listopadu 2022!"},"content":{"rendered":"\n

P\u0159ij\u00edmac\u00ed \u0159\u00edzen\u00ed do bakal\u00e1\u0159sk\u00e9ho studia v ateli\u00e9ru Rozhlasov\u00e9 a televizn\u00ed dramaturgie a scen\u00e1ristiky na Divadeln\u00ed fakult\u011b JAMU se letos otev\u00edr\u00e1! P\u0159ihl\u00e1\u0161ku je mo\u017en\u00e9 si podat u\u017e jen do 30. listopadu 2022!<\/strong><\/p>\n\n\n\n

P\u0159ij\u00edmac\u00ed zkou\u0161ka je dvoukolov\u00e1. Prvn\u00ed kolo prob\u00edh\u00e1 bez p\u0159\u00edtomnosti uchaze\u010d\u016f \u2013 ti mus\u00ed do 10.1. 2023 zaslat sv\u00e9 pr\u00e1ce (pov\u00eddky, filmov\u00e9 a rozhlasov\u00e9 reflexe atp.). Druh\u00e9 kolo pak prob\u011bhne formou pohovor\u016f a tv\u016fr\u010d\u00edch zad\u00e1n\u00ed na m\u00edst\u011b v prostor\u00e1ch budovy Divadeln\u00ed fakulty JAMU, Mozartova 1. V\u00edce informac\u00ed o pr\u016fb\u011bhu p\u0159ij\u00edmac\u00edho \u0159\u00edzen\u00ed naleznete zde: https:\/\/rtds.jamu.cz\/?page_id=6157<\/a> nebo na https:\/\/df.jamu.cz\/<\/a>.<\/p>\n\n\n\n

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\n

O ateli\u00e9ru<\/h2>\n\n\n\n

Ateli\u00e9r rozhlasov\u00e9 a televizn\u00ed dramaturgie a scen\u00e1ristiky byl zalo\u017een na po\u010d\u00e1tku 90. let p\u0159ekladatelem, spisovatelem a b\u00e1sn\u00edkem Anton\u00ednem P\u0159idalem. Ten ke spolupr\u00e1ci vz\u00e1p\u011bt\u00ed p\u0159izval brn\u011bnsk\u00e9ho spisovatele a intelektu\u00e1la Pavla \u0160vandu a scen\u00e1ristu Drahoslava Makovi\u010dku. Tyto osobnosti se velkou m\u011brou pod\u00edlely na formov\u00e1n\u00ed ateli\u00e9ru, kter\u00fd je v dosud jedin\u00fdm filmov\u00fdm a rozhlasov\u00fdm oborem v Brn\u011b.<\/p>\n\n\n\n

V sou\u010dasnosti vede ateli\u00e9r RTDS prof. Hana Slav\u00edkov\u00e1. Studenti ateli\u00e9ru rozv\u00edj\u00ed sv\u00e9 schopnosti psan\u00edm prozaick\u00fdch a dramatick\u00fdch liter\u00e1rn\u00edch \u00fatvar\u016f i tvorbou audiovizu\u00e1ln\u00edch a rozhlasov\u00fdch projekt\u016f. Pod veden\u00edm zku\u0161en\u00e9ho pedagogick\u00e9ho t\u00fdmu studenti prohlubuj\u00ed svou obratnost v anal\u00fdze um\u011bleck\u00e9ho d\u00edla a dramaturgii. V\u00fduku dopl\u0148uj\u00ed \u010detn\u00e9 workshopy s v\u00fdznamn\u00fdmi \u010desk\u00fdmi i zahrani\u010dn\u00edmi osobnostmi z oboru. Absolventi RTDS nach\u00e1zej\u00ed sv\u00e9 uplatn\u011bn\u00ed v oblasti televize, filmu, rozhlasu, kulturn\u00ed publicistiky, filmov\u00fdch festival\u016f a v \u0161irok\u00e9 um\u011bleck\u00e9 sf\u00e9\u0159e. Jsou ale i tac\u00ed, kte\u0159\u00ed z\u016fstali u psan\u00ed, a dnes sb\u00edraj\u00ed ocen\u011bn\u00ed za sv\u00e1 liter\u00e1rn\u00ed d\u00edla.<\/p>\n<\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n

Workshopy a masterclass<\/h2>\n\n\n\n

Od po\u010d\u00e1tku sv\u00e9 existence je ateli\u00e9r otev\u0159en vedle st\u00e1l\u00e9ho pedagogick\u00e9ho sboru i p\u016fsoben\u00ed externist\u016f a host\u016f. N\u011bkolikr\u00e1t do roka tak p\u0159ij\u00ed\u017ed\u011bj\u00ed osobnosti \u010desk\u00e9 i zahrani\u010dn\u00ed kinematografie \u010di audio tvorby, aby student\u016fm p\u0159edaly sv\u00e9 zku\u0161enosti a \u0159emeslo. V posledn\u00edch letech ateli\u00e9r RTDS hostil nap\u0159\u00edklad masterclass dokument\u00e1rn\u00ed re\u017eis\u00e9rky Ad\u00e9ly Komrz\u00fd (Zkou\u0161ka um\u011bn\u00ed, 2022; Jednotka intenzivn\u00edho \u017eivota, 2021), re\u017eis\u00e9ra hran\u00fdch film\u016f a mockument\u016f Petra Zelenky (Karamazovi, 2008; Samot\u00e1\u0159i, 2000; M\u0148\u00e1ga \u2013 Happy End, 1996), rozhlasov\u00e9 dokumentaristky Brit Jensen (Matematika zlo\u010dinu, 2018; dramaturgyn\u011b cyklu Radia Wave DokuVlna), performerky a re\u017eis\u00e9rky Johany \u0160varcov\u00e9 (autorka improviza\u010dn\u00edch rozhlasov\u00fdch her Radio Ivo) \u010di scen\u00e1risty \u0160t\u011bp\u00e1na Hul\u00edka (Ho\u0159\u00edc\u00ed ke\u0159, 2013; Pustina, 2016), kter\u00fd se posl\u00e9ze stal pedagogem ateli\u00e9ru, a mnoh\u00fdch dal\u0161\u00edch.<\/p>\n\n\n\n

\"\"<\/figure>\n<\/div>\n\n\n\n

Pedagogov\u00e9<\/h2>\n\n\n\n
\"\"<\/figure>
\n

prof. MgA. Hana Slav\u00edkov\u00e1 , Ph. D.<\/strong><\/p>\n\n\n\n

Spolupracuje s \u010cesk\u00fdm rozhlasem, pro kter\u00fd napsala rozhlasov\u00e9 hry Narozeniny, Kl\u00ed\u010d je na tv\u00e9 stran\u011b a Cesta do Lo Ignoto, d\u0159\u00edve p\u016fsobila jako dramaturgyn\u011b \u010cesk\u00e9 televize. V autorsk\u00e9 audiovizu\u00e1ln\u00ed tvorb\u011b zkoum\u00e1 mo\u017enosti narace na pomez\u00ed dokument\u00e1rn\u00ed tvorby a fikce a v\u011bnuje se fenom\u00e9mu pam\u011bti. Filmovou literaturu obohatila publikacemi Franz Cap: Pr\u016fvodce \u017eivotem a d\u00edlem filmov\u00e9ho re\u017eis\u00e9ra Franti\u0161ka \u010c\u00e1pa a Cine Teatro Saura. <\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
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prof. Mgr. Jan Gogola<\/strong><\/p>\n\n\n\n

Tento doyen \u010desk\u00e9 dramaturgie se podepsal pod v\u00edce ne\u017e \u0161edes\u00e1t celove\u010dern\u00edch film\u016f. Nam\u00e1tkou Kou\u0159 (r. Tom\u00e1\u0161 Vorel), Requiem pro panenku (r. Filip Ren\u010d), Je t\u0159eba zab\u00edt Sekala (r. Vladim\u00edr Mich\u00e1lek), Tobruk (r. V\u00e1clav Marhoul), Dom\u00e1c\u00ed p\u00e9\u010de \u010di Havel (oboj\u00ed r. Sl\u00e1vek Hor\u00e1k). Pedagogicky p\u016fsobil tak\u00e9 na FAMU a UTB ve Zl\u00edn\u011b.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
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prof. PhDr. Alena Bla\u017eejovsk\u00e1<\/strong><\/p>\n\n\n\n

P\u016fsob\u00ed jako dramaturgyn\u011b a scen\u00e1ristka v Tv\u016fr\u010d\u00ed skupin\u011b drama a literatura \u010cesk\u00e9ho rozhlasu, od roku 1996 vede po\u0159ad Zeln\u00fd rynk. Nato\u010dila tak\u00e9 mnoho ocen\u011bn\u00fdch rozhlasov\u00fdch dokument\u016f (Drnka, V\u0161echno co m\u00e1m r\u00e1d aneb krabice od ban\u00e1n\u016f a Mu\u017e, kter\u00fd s\u00e1z\u00ed stromy).<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

PhDr. Pavel Aujezdsk\u00fd<\/strong><\/p>\n\n\n\n

Dramaturg a scen\u00e1rista, dlouhou dobu p\u016fsobil jako \u0161\u00e9fdramaturg Centra dramatick\u00e9 tvorby v \u010cesk\u00e9 televizi. Pod jeho veden\u00edm vznikla nap\u0159. historick\u00e1 freska Krev zmizel\u00e9ho, jako scen\u00e1rista napsal \u010detn\u00e9 televizn\u00ed filmy, animovan\u00e9 p\u0159\u00edb\u011bhy i poh\u00e1dky. Teoreticky se zab\u00fdv\u00e1 d\u011bjinami kinematografie, zvl\u00e1\u0161t\u011b pak prom\u011bnami politick\u00e9 propagandy v audiovizu\u00e1ln\u00edm kontextu, kter\u00e9 zmapoval ve sv\u00e9m obs\u00e1hl\u00e9m d\u00edle Audiovizu\u00e1ln\u00ed propaganda: \u010cesk\u00e9 zem\u011b mezi Sov\u011btsk\u00fdm svazem a N\u011bmeckem (1914 – 1989).<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Mgr. \u0160t\u011bp\u00e1n Hul\u00edk<\/strong><\/p>\n\n\n\n

Jeden z nejtalentovan\u011bj\u0161\u00edch tuzemsk\u00fdch scen\u00e1rist\u016f, kter\u00fd pro HBO napsal s\u00e9rie Ho\u0159\u00edc\u00ed ke\u0159 (re\u017e. Agnieszka Holland, 12 \u010cesk\u00fdch lv\u016f v\u010detn\u011b nejlep\u0161\u00edho scen\u00e1\u0159e) a Pustina. Je tak\u00e9 autorem s\u00e9rie Podez\u0159en\u00ed, kter\u00e1 vznikla v koprodukci \u010cesk\u00e9 televize. Knihou Kinematografie zapomn\u011bn\u00ed zmapoval po\u010d\u00e1tky normalizace ve Filmov\u00e9m studiu Barrandov.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Mgr. Jan N\u011bmec <\/strong><\/p>\n\n\n\n

Spisovatel, esejista a \u0161\u00e9fredaktor liter\u00e1rn\u00edho \u010dasopisu Host. D\u0159\u00edve pracoval pro \u010cT Art, \u010cesk\u00fd rozhlas a redigoval knihy v nakladatelstv\u00ed Host. Za rom\u00e1n D\u011bjiny sv\u011btla o Franti\u0161ku Drtikolovi z\u00edskal Cenu Evropsk\u00e9 unie za literaturu, Mo\u017enosti milostn\u00e9ho rom\u00e1nu si zase vyslou\u017eily nominaci na Magnesii literu.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Mgr. MgA. Eva Schulzov\u00e1, Ph. D.<\/strong><\/p>\n\n\n\n

Po spolupr\u00e1ci s \u010ceskou televiz\u00ed zakotvila v \u010cesk\u00e9m rozhlasu, kde p\u016fsob\u00ed jako dramaturgyn\u011b. Krom\u011b toho p\u00ed\u0161e eseje, p\u00e1sma (Hassliebe, Kdo chyt\u00e1 sny) a rozhlasov\u00e9 hry (cyklus Alma mater). Vydala kni\u017en\u00ed studie P\u016fvodn\u00ed \u010desk\u00e1 rozhlasov\u00e1 hra po roce 1989 a Rozhlasov\u00e9 hry nov\u00e9 generace.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

MgA. Tereza Rekov\u00e1 , Ph. D.<\/strong><\/p>\n\n\n\n

Pat\u0159\u00ed k nejoce\u0148ovan\u011bj\u0161\u00edm dokumentaristk\u00e1m mlad\u00e9 rozhlasov\u00e9 generace. Sv\u00fdmi dokumenty Mat\u011bj, Moje kamar\u00e1dka Zuzka nebo To je pravda, napsala z\u00edskala 1. m\u00edsto v sout\u011b\u017e\u00edch Prix Bohemia, Report \u010di MFDF Jihlava – Audioreport. Kdy\u017e se nev\u011bnuje rozhlasu, nat\u00e1\u010d\u00ed dokument\u00e1rn\u00ed s\u00e9rie pro \u010ceskou televizi.<\/p>\n<\/div><\/div>\n\n\n\n

a dal\u0161\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"

P\u0159ij\u00edmac\u00ed \u0159\u00edzen\u00ed do bakal\u00e1\u0159sk\u00e9ho studia v ateli\u00e9ru Rozhlasov\u00e9 a televizn\u00ed dramaturgie a scen\u00e1ristiky na Divadeln\u00ed fakult\u011b JAMU se letos otev\u00edr\u00e1! P\u0159ihl\u00e1\u0161ku je mo\u017en\u00e9 si podat u\u017e jen do 30. listopadu 2022! P\u0159ij\u00edmac\u00ed zkou\u0161ka je dvoukolov\u00e1. Prvn\u00ed kolo prob\u00edh\u00e1 bez p\u0159\u00edtomnosti uchaze\u010d\u016f \u2013 ti mus\u00ed do 10.1. 2023 zaslat sv\u00e9 pr\u00e1ce (pov\u00eddky, filmov\u00e9 a rozhlasov\u00e9 reflexe […]<\/p>\n","protected":false},"author":3,"featured_media":6309,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-6400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuality"],"acf":[],"_links":{"self":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts\/6400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6400"}],"version-history":[{"count":39,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts\/6400\/revisions"}],"predecessor-version":[{"id":6481,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/posts\/6400\/revisions\/6481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=\/wp\/v2\/media\/6309"}],"wp:attachment":[{"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rtds.jamu.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}